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Set in a peaceful rural location next to an ancient motte and bailey, the church is in the conservation area of this small village situated in the north west of Herefordshire.

The churchyard here is famously said to have inspired Thomas Gray to write his Elegy in a Country Churchyard in 1750, and he is buried close to the east wall of the church.

It is likely that the earliest church on this site was a Welsh church, dedicated to St Freit (which is Celtic for St Bridget or Bride, hence its name today).

A hidden gem at the heart of the Herefordshire countryside.

Entered from the Market Square through handsome cloisters built in 1810, the parish church stands on the site of a Saxon church and contains many ancient relics.

A local landmark, the church is set on the end of a limestone ridge at the gateway to the Lake District National Park with beautiful views across the Kent Estuary to Morecambe Bay.

This is an ancient enigmatic building in a rural setting of Hart, adjacent to the remains of the de Brus Manor House and medieval fish pond field.

An overlooked gem of early 20th century architecture and art, strongly influenced by the Arts & Crafts movement and with painting and stained glass by Walter Starmer, best known for his murals at St Jude on the Hill, Hampstead Garden Suburb.

One of only three complete Saxon churches in Britain, this wonderfully preserved church sits in a sunken circular enclosure bordered by battered walls, an influence from Celtic Ireland.

The parish church of Chingford, built in 1844 and extended in 1903, Listed Grade II*.

At the annual meeting of the Preston District Congregational Union in 1871, strong representations were made as to the necessity of building a chapel in Grange over Sands with services starting eventually in a room at the Liberal Club 1889, thanks to a grant from the Union.